
Wednesday, November 23, 2011
Great Videos to Watch
This is Vik Muniz, the Brazilian artist from Waste Land--other art that he does. He is incredibly engaging:
Wednesday, November 16, 2011
A Collaborative Effort
I never had anything to do with a mural before. The closest memory I have tied to any mural in general is on my way to my favorite Vietnamese restaurant in the city on
A mural is greater than the sum of its parts. I was very self conscious about the mural to begin with. I asked myself questions like, “what would I want on it?” or “where do I even try to start?” The biggest thing I had ever drawn was no bigger than 8 ½ x 11 inches. Then I began to start thinking outside of myself. This mural was not “Gerard’s mural.” This mural is the culmination of a collective mind and its ideas. I began realizing that other people shared the same sentiments as I did. We took the key words that the MCCS students had chosen and threw in some of our own. As soon as the brainstorming was finished, we began the actual design process. One by one, we all gave input on what direction, symbols, and details should be added to the mural. “The artists accept that the mural design is open to discussion and change until the community’s final approving of the drawing,” says Neruda (7). The mural is not just the work of the artist. It is the work of the community because it is the community that is sharing this message. The artist is just the medium through which to share the message. That is why the collaborative effort of the mural is so important. It has to be something that all parties involved would be proud of.
Lastly, a mural is a manifestation of creativity. At the very least, it is an effort to beautify an area that would most likely need it. An organization in
Being able to be a part of creating this mural is a very exciting opportunity. I feel that without having it be a part of my class experience, I would have never taken up the chance to do something like this. I may never understand what the mural on
Residents of many areas are always trying to be heard within their communities and they are looking for a way to become a larger contributor to the place they live. The act of painting a mural provides the muralist a way to make the community a a better a place for them to live because everyday they are able to look at the beliefs they are able to bring to the community and how they were able to bring it to them. There are multiple studies that show when the physical structure of a community the people find more of a kinship with the community and are often looking for more ways to better their community. Murals represent the way the community is feeling. I think that it is beneficial that after years the mural tend to fade away because the problems or expression that are put on the wall the people are often not able to relate to them as time goes on.
From John S.: Individuality, imagination, and creativity for a change
In “Cityarts Workshop” we see the process through which normal people who have no real certified artistic background have the power and drive to make murals that can influence an entire community. In murals there can be multiple messages being offered depending on the community in which they are placed. In certain murals they can strive to leave a lasting message of non-violence and resisting peer pressure and avoiding bad decisions. In a routine effort the boys sought out the minority population and addressed the obvious because most criminal behavior was linked to this portion of the community. I remember from my personal experience with murals that they can be a very touching and self-gratifying experience. In the eighth grade my class was determined to do an end of the year art project, which was either a quilt or a mural in our community. After a class votes everyone chose to do the mural, which was going to be placed in a small Latino community called “Oceano,” which was about a ten-minute drive from campus. The next step was to find a space that was appropriate, endorsed, and recognized from Oceano City Council. We started the whole process in March and it took over a month to get all the legal issues put aside and taken care of. Therefore, this month gave our class a lot of time to imagine a mural and brainstorm for ideas as a group. Some considered hiring special artists to come paint our image onto the wall for us however our teacher insisted that it would be much more powerful if we as a class took turns handling the paintbrush. We delegated the class into groups of five that would go on Monday, Wendsday, and Friday to the location and take the afternoon from one to three to get as much done as possible. Each group met for a total of four hours before the final mural would be revealed a total of two weeks. Looking back at the idea we tried to convey that year it was a combination of happiness, God, resisting violence, importance of family, and nature. It truly made us so encouraged and inspired as a class that we were able to create something this beautiful when we all thought we were not good at art. However when things such as a mural that include inspiration and motivation are the forefront of the project it is hard for them to get lost because when a group of people are focused to convey a message it will get done. Therefore in our mural project I hope that we are able to reach out to a community in need of something positive. I think that we should place this mural in a location where every resident of the community will be able to see it. “People could change their lives if they had the opportunity to express their creativity in such fields as music, theater, and sculpture.” (Cityart Workshop). This quote took me back because in relation to the first quote I used it reiterates the everlasting message that through individuality, imagination, and creativity we can use art to change the world around us.
Tuesday, November 15, 2011
Zehara Eckert
“The true power of these murals lies in their local, community impact, their ability to illuminate issues that resonate with real people, the oppressed, the poor, the overworked, the unrepresented. The process, the act of community building and collaboration, the beautification that community murals provide, create tangible threads (On The Wall).”
This beautiful quote from On The Wall highlights the collective process that stands behind every public mural. I can imagine how the completion of a mural can invoke pride not only in the painters of the mural but in the residents of their communities who see and enjoy the mural. In a collaborative mural, the community can present many aspects of the attitudes and hopes of local residents. This can create pride and a sense of accomplishment for the project’s participants, especially young people who may not have previously felt a strong community connection. At-risk youth in particular may not always feel a connection to their community, and it is possible they never felt it. Murals have the power to pull together people who are often segregated from their neighbors because murals allow people to cross boundaries – for example boundaries of language, age, income and social status.
When initiating a community mural, partnering artists need to decide whether “the mural will address a social and political issue or celebrate a neighborhood, its history, and its residents” (On The Wall). Mural organizers may choose the artists but ultimately it should be the community that identifies the themes, suggests the designs and images of the mural. Thus a mural is an interaction of artists, sponsors, and community residents. Muralists don’t only consider a wall’s size, but also the location and how the mural will be viewed by audiences such as pedestrians, bikers and people riding in cars. Community volunteers can provide assistance as painters, but they can also show muralists the talents and resourcefulness of the residents of that community.
Painting murals “enables artists to integrate our social and political beliefs with our artistic skills and, more importantly, …made art no longer superfluous and extravagant but something that belongs to the people” (Cityarts Workshop). I remember the discussion in Professor Lynn’s class about how some people are fearful and resist doing art because they think they are not good at it. This quote about art “that belongs to the people,” as well as our class discussion that day, emphasized that you don’t need to be a professional artist to do art. Art doesn’t only have to be superfluous to your everyday life or an extravagant piece. It can be something simple and true. Art will look different as seen through different lenses of different people. As long as it invokes some kind of emotion in its viewers, a visual or musical or performance piece is art.
Art can persuade people to get engaged with others. Nowadays, community murals are used to beautify, educate, and motivate residents to action. Through community murals, individuals from a neighborhood can bring attention to their community’s needs for social justice, better education, and even health care. Murals can transform an otherwise ugly wall into a vibrant public canvas. To me that is art.
Saturday, November 12, 2011
Prompt for readings from On the Wall--and our Mural project!
In the forward to this book (in the 1st pdf), Goodman and Moynihan write:
"Art is powerful. It moves people. It inspires. It unites. It provokes the power elite. The true power of these murals lies in their local, community impact, their ability to illuminate the issues that resonate with people, the oppressed, the poor, the overworked, the unrepresented. The process, the act of community building and collaboration, the beautification that community murals provide, create intangible threads." (pdf pg. 1)
A bit later the authors write, "For many of those involved, the act of painting a mural is itself a political act" (pdf pg 4). They describe the process, the negotiation and consensus building, decision making, and the tensions that also ensue and the significance of this process to the final product and the issues, hopes, and dreams it makes visible.
The second chapter follows a particular organization called Cityarts Workshop (Lynn and I will be working with this same organization this summer in NYC-- with a group of DUC students!) and the many issues that were present when this group formed. Why is the fact that the group was not formed by professional artists significant? What are some of the issues of these times that are being addressed through murals? What are the "politics of affirmation and accusation" and how are these different approaches manifested in the murals? Find places in the text that resonates with colloquium themes and our mural. Reflect on the relationship between the processes and purpose described in Chap. 1 and the issues and artistic responses and processes described in Chapt 2. Compare our colloquium process-- use quotes from text and specifics from your experience to illustrate.
These chapters also speak to how murals are important to the community in which they reside. Location is not an arbitrary decision it is deliberate as the content.
So as you think and reflect on these questions throughout the two chapters, think about our own murals:
To whom (audience or receiver) are we speaking/acting up to? In what way, or where is it seen, and with what effect (desired social impact)?
Our murals will need homes. Reflect on where they might be displayed to reach the audience and have the effect we hope for. . .
Wednesday, November 9, 2011
Shop Class as Soulcraft
2) "The eglitarian worry that has always attended tracking students into "college prep" and "vocational ed" is overlaid with another: the fear that acquiring a specific skill set means that one's life is determined. In college, by contrast, many studnets don't learn anything of particular application; college is the ticket to an open future. Craftsmanship entails learning to do one thing really well, while the ideal of the new economy is to be able to learn new things, celebrating potential rather than achievement" (p.3).
3) "You come up with animagined train of causes for manifest symptoms and judge their liklihood before tearing anything down. This imagining relies on a stock mental library, not of natural kinds or structures, like that of the surgeon, but rather the functional kinds of an internal combustion engine, their various interpretations by different manufacturers, and their proclivities for failure. You also develop a library of sounds and smells and feels" (p.4).
4) "Extraordinary human ingenuity has been used to eliminate the need for human ingenuity" -Barbra Garson (p.8).
We Make the Road by Walking - Ideas
Ms. Julia van der Ryn
CLQ2142.1
9 November 2011
- "[The charismatic leader] discovers that in order to save the people, it is necessary that he also saves himself...the leader has to understand that he's been shaped by the mass of the people also and is not only shaping the people." (111-112)
- "I'd say if you were working with an organization and there's a choice between the goal of that organization, or the particular program they're working on, and educating people, developing people, helping them grow, helping them become able to analyze--if there's a choice, we'd sacrifice the goal of the organization for helping the people grow, because we think in the long run it's a bigger contribution." (116)
- "Education is before, is during, and is after. It's a process, a permanent process. It has to do with human existence and curiosity." (119)
- "It's impossible to organize without educating and being educated by the very process of organizing...Those who are engaged in mobilizing and organizing have to evaluate this process. In the process of evaluation, undoubtedly, there is an interpretive and necessary moment in which the leaders who are trying to mobilize and organize have to know better what they are doing. The organizers engage in critical reflection on what they did. In doing that the leaders start participating in a process in the next stage of mobilization and organization, because they change." (121)
- "Organizers who hope to educate must increase their historical and cultural sensitivity." (124)
- "My expertise is in knowing not to be an expert." (128)
office worker repaired to his basement workshop to putter about and tinker,
refreshing himself for the following week. As T. J. Jackson Lears writes in his
history of the Progressive era, No Place of Grace, “toward the end of the
nineteenth century, many beneficiaries of modern culture began to feel they
were its secret victims.”
Noel’s bustling warehouse is full of
metal lathes, milling machines, and table saws, and it turns out that most of
it is from schools. EBay is awash in such equipment, also from schools. It
appears shop class is becoming a thing of the past, as educators prepare
students to become “knowledge workers.”
family business of making wheels for carriages, in 1884, shortly before the
advent of the automobile. He had been a school teacher with literary ambitions,
but now finds himself almost overwhelmed by the cognitive demands of his new
trade.
struggle, against great odds, for freedom of action and inquiry, led to such an
emphasis upon personal observations and ideas as in effect to isolate mind, and
set it apart from the world to be known.
Tuesday, November 8, 2011
“Getting Schooled” by Garret Keizer
Zehara Eckert
Quotes:
1. “Public education’s commendable aim of creating “equal opportunity for all” it too easily subverted by egregious aim of creating a clean conscience for the few” (Keizer, 36).
2. “Given my empirically based conviction that a stable home life is the single most reliable predictor of a student’s success in school, I am surprised that Republican Party, self-appointed champion of “family values,” takes no pains to press the point” (Keizer 36).
3. “Mine are “average” kids, but they are by no means stupid kids” (Keizer, 37).
4. “When a classroom teacher can somehow manage to get kids “out of school” either physically or psychologically, then school can begin” (Keizer, 38).
5. “Babies in car seats begin to appear in the hallways, life-size baby dolls as it turns out, a project for a class in parenting” (Keizer, 39).
CLQ: Thinking for Change
6 November 2011
Blog 10
I chose to read the article “Getting Schooled” written by Garrett Keizer. I found it interesting when he stated that, “My point here is that even under ideal circumstances, public-school teaching is one of the hardest jobs a person can do” (34). I never envisioned public school teaching to be very difficult, as the author states. I knew there was a little preparation work to be done, but I did not know how much actually needed to be done. Being a public school teacher can be seen as one of the most important jobs, as most children attend public school and this will give them education for their life. Also, some students that attend school will be shaped by the experiences they have in school. The author also states that many philosophers have tried being teachers and have failed. He stated that, “Ludwig Wittgentstein, of modern philosophers perhaps the most sainted, served time as a school teacher” (34). The author is making it clear that being a teacher is unbelievably difficult as you need patient and be able to convince the kids to do the work necessary in school. He also makes it clear that he has a lot of respect for those who have tried to be a teacher, but not much those who have not tried. Then the aspect of pay can come into question as public school teachers do not get close to enough salary for the important job they do. The teachers are responsible for educating the youth in the country and should be rewarded accordingly. It also seems like schools have taken appropriate methods to make sure that every individual is able to learn while in school and provide the necessary assistance if they would require help as the author stated, “By far the most noticeable and happy improvement is the number of places to which students can turn for academic assistance” (35). This is an important step, so everyone can learn the basics and know enough to be able to function in society. It is also important that schools provide sufficient amount of tutors to assist the students in their tasks. Another important aspect the author mentions is that, “The school where I teach ties for the third poorest in the state. Yet its standardized-test scores are among the highest” (36). I believe this is important because it shows that money is not correlated with the high test scores. Many people try to make the point that a family’s salary will determine how a child will score on tests. However, the main issues that will determines an individual’s intelligence level is how hard they try while they are in school. This shows that hard work leads to intelligence and that income does not play a large role. So, when people argue that a school is not performing well on intelligence tests, and that they need more money, one first needs to see what the attitudes of the students are before anything else is done.
The education has several fallacies that we hope to overcome as a nation, actually that need to be overcome. The system needs to stop failing the students as it ends up with the students unable to receive an education, thus be inadequately prepared for issues in life. In every part of the nation the failings of the schools are different as the schools are looked at one main stream way instead of addressing the issues that are unique to the school and then making it more mainstream. Dreams for tomorrow are based on the fact that we know there may be something out there that can help with the current situation. Dreams are also formed as we have seen the outcomes we want in other places and now hope they can be applied to our situation. The passion and resilience is key as we want to see the changes that need to be done and they remind us that we can create a positive change. Positive change can also only occur if there is resilience to the harsh times and knowing not to go back to these poor times. I believe the best way we can inspire people is by showing what can be done. Talking about what an individual has done or what they will do does not help the situation. Also, showing very important or known issues that have gone through massive change can be very important to motivate someone towards change. The first step to equitable educational models is that the individuals in school need to be motivated to be there or else all with fail. Someone can pump as much money as they want into a school and kids with continue to fail as the kids need to be motivated. The quality can be improved after one knows that the kids will show effort while in school. Once the school has motivated kids then it can ask for money in order to supply the kids with the necessary to succeed in school.
Monday, November 7, 2011
Peter Singer- Famine, Affluence, and Morality
The existence of suffering, inequity, gross disparities between the “have’s” and the “have-not’s”, challenge the ideal of the American Dream, of “freedom and justice for all “
1. "If it is in our power to prevent something bad from happening, without thereby sacrificing anything of comparable moral importance, we ought, morally, to do it."
2. "Thus, if everyone does what he ought to do the result will not be as god if everyone did a little less than he ought to do, or if only some do all that they ought to."
3. "The charitable man may be praised, but the man who is not charitable is not condemned."
4. "Moral attitudes are shaped by the needs of society, and no doubt society needs people who will observe the rules that make social existence tolerable."
Thursday, November 3, 2011
Prompt for free choice read
Find the quotes in your reading that relate to at least one of the themes or questions listed below. Your blog post need only contain the 4-5 quotes (from different pages in your reading) that expand your understanding or articulate an interesting perspective in relation to these themes/questions. In class, you will verbally share what you learned from these readings in connection to our Beauty in the Struggle premise, themes, questions, and activities ( I heard from Lynn that you all went into production mode and whipped out 40 T-Shirts! Sorry, I had to miss it but meetings called. . .) Be prepared to discuss which of the themes below your reading focuses on, how the quotes relate etc.:
The education system is in crisis, here and abroad. While there are places in the world without access to schools and youth who clamor for an education, in this country, the public education system is failing many youth.
A living democracy is sustained through the active participation of its citizens, through the questions and innovative responses of engaged individuals, grassroots groups, and public figures.
The expressive arts and humanities are crucial to education that challenges us to see from multiple perspectives, to confront and communicate both the differences and similarities of our shared human identity and the resulting tensions.
Imagination is a critical part of learning how to envision and participate in the creation of a better future.
The existence of suffering, inequity, gross disparities between the “have’s” and the “have-not’s”, challenge the ideal of the American Dream, of “freedom and justice for all “
Education is a vital tool in the struggle against the forces that work to oppress and suppress our collective humanity. Education is integral to democracy.
Questions: What are some challenges we face and hope to overcome? What helps us dream of a better tomorrow? How does the passion and resilience of those who inspire us remind us of our ability to create positive change? How can we inspire change using convincing and memorable visual/ verbal expressions? What is the path towards quality and equitable educational models? How can we articulate a possible route?
Finding a Blance
After reading all the different ways to look at education and the knowing about the different programs that are available. It makes me wonder why the public education system has not taken steps to be similar to the outside resources. The oustside programs seem to be successful and the schools seem to be failing. It makes me wonder if it is the combination of both school and out side programs that create a successful student or do the outside programs provide the weight of the education for the student?
Canada uses an all hands on deck approach. He does not just focus on one area. His school has all options to help the students. there is even health options for the kids in his school. He seeks to help close the gap between affluent schools and poor inner city schools.
What are some of his personal challenges/inner debates/dilemmas that he faces in his work?
He has to balance the streets of Harlem and the high class of executive board rooms. These two worlds clash and there is rarely an equal place between the two. “These day, Canada, Divided his time between the streets of Harlem and the board rooms of corporate America, and when you look at him you can see the two sides his personality reflected.”( 12). Both worlds have different requirements of social behavior and he has found a balance between both and his ability to do this is how his programs have become so successful. When people come to the programs it is not just a superior place that imparts knowledge on them but it there is a since of respect to the students and anyone who come to any of his programs.
This balances between the worlds is what is needed in the education. MCCS has some aspects but there is still a since of animosity between the students and teachers. There is superiority one both parts and there cant be an equilibrium between the two when they feel this way.
The image is on a school. It shows a group of people thinking creativity around a table. Some are reading. I think that promoting this environment on the school so students not only hear what they should be doing but they can see what is being asked. it is in a creative way so the students are able to see that it is not as serious and it can be fun. The colors do not relate to the school and they pop out against the grey concrete.
Wednesday, November 2, 2011
From Brittany: Not Looking Away
Canada grew up in Harlem, so he knows the type of environment and what is needed for the area to improve. He has an emotional connection to the project which allows for him to put more effort into fixing the issues there. His goal is to improve the poverty issues in Harlem starting with the children in schools. He wanted a place that gave these children the resources at a young age so they could better their lives in the future. “It wasn’t enough to help out in just one part of a child’s life: the project would need to combine educational, social, and medical services” (Whatever it takes: The Lottery, 4). Canada wanted to provide for these children so they had support throughout school, that way they could not fall behind. Graduating high school and college were goals Canada had for all the students at his school. Since he is so emotional about this project turning away students was a hard part for choosing students to go to the school. During the lottery he wished everyone could have been chosen because the students that were not picked, he could see their hopes wiped from their faces.
During the speech Canada gives at the lottery he states, “If your child is in our school, we will guarantee that child succeeds. There will be no excuses. We’re not going to say, ‘The child failed because they came from a home with only one parent.’ We’re not going to say, ‘The child failed because they’re new immigrants into the country.’ If your child gets into our school, that child is going to succeed” (Whatever it takes: the Lottery, 12). By saying this, it shows that he genuinely cares about the students and he really does want them to succeed no matter what their background. He understands it is hard to come from a background with one parent or immigrants. He had personal experience with that himself. It was hard for Canada to not accept everyone, “They understand that if the school is good, the odds that your child is going to have a good life just increase exponentially. So now they just feel, ‘Well, there go my child’s chances’” (Whatever it takes: The lottery, 18).
When Paul Tough was explaining many of the different point of views of why poor people are in fact, poor, it was interesting to see how the government plays an important part in poverty with all the social programs. Some views believe that American poverty is created by the poor people’s poor decisions, “If this theory is correct, what the poor people need is not handout, but moral guidance and strict rules” (Whatever it takes: Unequal Childhoods, 24). This does make some sense. I do not believe giving handouts is the best way to help someone. You may be helping at that very moment, but that is not helping their overall problem. Programs from the government should not be just handouts but should be ways of helping them get jobs easier so they can support their families. Handouts will just cause a lifetime of handouts and no responsibility on the person to fix their own situation but to be expecting someone to help them out all the time. Another interesting study showed the different parenting types of middle class and poorer classes and how it affected their children’s learning, “They were able to conclude that the size of each child’s vocabulary correlated most closely to one simple factor: the number of words the parents spoke to the child. And that varied greatly across the homes they had visited, and it varied by class. In the professional homes, parents directed an average of 487 “utterances’ – anything from a one-word command to a full soliloquy—to their child each hour. In welfare homes, the children heard 178 utterances per hour” (Whatever it takes: Unequal Childhoods, 42). Most of the utterances were negative coming from the welfare homes which leads to believe this attitude and low vocabulary continues a person in a poverty stricken life. I found this interesting because this demonstrates how different each environment is that a child lives in and if a child does come from poverty then the school should focus on helping the child from an early age.
I took many pictures of the murals on Balmy alley and the ones that stood out to me the most were the ones that were most colorful with many different ideas all brought together. I enjoyed the one with the blue heart with the face on it and the nig eyes with hands reaching in. The bright blue really captured my attention and the eyes felt like they were just looking at me which was pretty cool. Most of the murals brought an idea of coming together as one. I also liked the mural with the butterfly, a woman praying, a man, and a dragon looking animal. This mural was full of vibrant colors and there was so much going on that I didn’t want to look away.
From John S: Inspiration . . .
As Paul Tough explains in “Whatever It Takes,” Canada “believed that he could find the ideal intervention for each age of a child’s life, and then connect those interventions into an unbroken chain of support.” Canada’s goal is to “contaminate” the entire culture of Harlem with aspirational values, disciplined self-improvement and the cognitive tools to do better than those who came before. That depends on offering services to as many people as possible.
What would it take? What would it take to change the lives of poor children not one by one, through heroic interventions and occasional miracles, but in big numbers, and in a way that could be replicated nationwide? “If you want poor kids to be able to compete with their middle-class peers, you need to change everything in the lives — their schools, their neighborhoods, even the child-rearing practices of their parents.” Whatever It Takes contains, "the most cogent, provocative, and original thinking on urban poverty to come along in many, many years.” It is an inspired portrait of Canada and the parents and children in Harlem who are struggling to better their lives. Running schools, of course, presents a unique set of challenges, but as Tough explains in the book, providing a high-quality educational system that can serve every child who enrolls is a key piece of the HCZ vision. "As Canada often said, he was tired of programs that helped a few kids 'beat the odds' and make it out of the ghetto; his goal was to change the odds, and to do it for all of Harlem's kids. “ “The only way to serve large numbers of poor children in a neighborhood like Harlem is to give them all a high-quality education, even the least motivated and least prepared, beginning at a very young age, and to do it in the context of a broader transformation of the entire community.” Strong schools are an essential element of HCZ's conveyor belt strategy, and for the group of children who have had the opportunity so far to follow the conveyor belt from Baby College to elementary school; evidence suggests Canada's model is working. For example, in 2008, 100 percent of third graders at one of Promise Academy's elementary schools and 97 percent of third graders at the second one tested at or above grade level on the statewide math exam. "If we know it works, there's no reason this program should stop at the end of those blocks in Harlem. It's time to change the odds for neighborhoods across America." Geoffrey Canada would likely be the first to agree, whatever it takes.
On Friday when we went to Valencia 826 I was truly inspired by what Emily had to say about their mission statement and what they are all about. I thought the whole place was so interesting and it made me eager to learn. From hearing about their goals and objectives I wanted to help that very second. They had me sold on their product, which was helping local kids in San Francisco get free tutoring; I thought that the idea of helping high school seniors write their college application essays was awesome. I wish I had the same opportunity because I remember I stressed so much over all of that and it put so much pressure on me as well. All I had was my mother who was great in helping me formulate my essays however I wish I could of just gone to my local recreation center to receive free help with all my friends. Once we took the walk through the Mission district I felt the diversity of cultures all around me with a large Latino influence. All the small shops and restaurants added so much character to the neighborhood. Of the few murals I saw before I left were astonishing and just took me back because I never could imagine creating such a piece of artwork myself. I am very excited to go back to the Mission to check out even more murals and each mural told a story in my eyes.
Pruning Roots
Tuesday, November 1, 2011
Colloquium: Thinking for a Change
October 30, 2011
Blog 9
Canada is motivated by a majority of reasons, but the main thing is that he wants kids from the inner city to go to college and receive a degree. The other smaller goals are to remove the children from the streets and create a safe haven for them to learn at. Canada also wants his school to be successful and a model for other schools and communities that have the same issues as Harlem. He is striving to help the African Americans in these neighborhoods, so they can be on the same level where mostly white children attend school. Canada does not directly address the issues of the school system as he created his own charter school instead of trying to fight the public school system in New York. However he wants to address the issues of the educational differences between whites and blacks as he discusses in the 60 minute interview. He believes through the education the children are receiving at his school in Harlem they will be able to receive a college degree and compete in the job market. The students are also trained to work hard in order to reach the goals they set for themselves, so they can get out of the poverty in the inner city. He stated that he faced some financial problems during the economic downturn and needs to recover in order for the school to remain successful. A huge inner problem he faces is that he is unable to accept all of the children that apply to enter his school as he is sending them to the ill-functioning public school. As these children are denied entry their chances of reaching college are reduced significantly. This is hard for Canada to accept as his goal is to send every child in the Harlem area to college. Canada would not see the point as only a few of the children would be able to attend the school, as in the article it states, “If all he was doing was picking some kids to save and letting the rest fail, what is the point”. Throughout this colloquium we have discussed the importance of school and how it can lead to future success. Also we have discussed how limited schooling has been and how many people are underprivileged while receiving an education.
What surprised me most were the statistics that were reported at the beginning of chapter two that there were 107 homicides in 1990 in Harlem alone. These 107 murders were of kids between the ages of 14 and 17. This is the age most children are busy with all of the work that comes with high school and getting ready to go to college. They are also discussing the different aspects of poverty as they say that it may be the individual’s own fault that they live on the street and that it is not their own fault. There is much discussion over the issue on how to best treat the individuals in poverty, but until a decision is reached nothing will happen. This is stated in the article by saying, “If this theory is correct, what the poor need is not handouts, but moral guidance and strict rules”. The root cause of poverty is almost always the loss of an individual’s job. Many people can also become impoverished because of their habits as they become addicted to drugs and alcohol. With these issues most of the money the individual’s make would then go to their addictions and not the necessities as the house, food, and clothes. The reformers have also stated that the poor are poor because the government has not provided enough aid and has not done its job in the first place, to prevent poverty.
It looks like the mural along the street is in a rough neighborhood that encounters many issues. First of all the mural is decoration for what would be a boring concrete wall. With this people would seem happy while walking past a piece of art as the same piece of concrete on a day to day basis. The image stands out due to its sheer size as it covers entire side of a street wall and the mix of colors it uses. It also emphasizes key parts on the wall by highlighting and outlining these aspects. I do not believe the piece is trying to speak out about a certain issue or problem that is occurring in this neighborhood, but instead is there for the enjoyment by the local population. It seems like it is symbolizing the importance company whose name is on the wall and the importance of art on this community.
Blog November 2, 2011
"It was partly a gut feeling, a personal thing: he had always hated the idea pf picking and choosing, helping some kids and letting the rest fail" (Tough, 4).
Four pages later however, this idea is blatantly contradicted.
"...the only students Canada really wanted in his school were from central Harlem..."(Tough, 8)
While it is impossible to make sure that every child is given the best education possible, I ind fault in those who say they wish to help everyone, and then only help those who are expected to fail.
In helping only the children from Harlem, a certain message come across essentially saying that if you don't live in Harlem, you don't need help, and if you do live in Harlem, you are going to fail if you don't get help.
Who did he want to help?
He wanted to help poor children.
What was his goal for them?
He wanted them to be able to grow into fully functioning participants in mainstream American middle-class life.
What did they need to do to accomplish that?
They had to survive adolescence, graduate from high school, get into college, and graduate from college.
(Tough, 3-4)
Who deserves help?
Those who are willing to help themselves.
What is the goal for them?
To be fully functioning, healthy, and happy members of society.
What do they need to do to accomplish that?
They have to survive adolescence, graduate from high school, get into college, graduate from college, get a job doing what they enjoy doing, and maintain healthy and stable relationships with those around them.
http://www.flickr.com/photos/53313483@N03/5248666390/
http://library.lclark.edu/projects/graffiti/index.php?state=images&p=worktype&v=poster
I found this image on the Lewis and Clark Street Art Project.
I like is because it uses play on words to make a point.
The text says: "Graffiti is a Crime. Sanctioned Graffiti is a Crime against Humanity."
I agree with this. Graffiti is illegal, but most people do it to make a point. The second an act like that becomes sanctioned, or expecteed, the weight behind the message is lessened.
The point of graffiti is to be daring, dangerous, and to make a statement.
Activists and Educators
Zehara Eckert
Geoffrey Canada is an African American social activist and educator. This man’s catalyst began early in his career when he had an afterschool program that had more children that wanted to enroll than he could admit. He wasn’t happy with just giving a group of students the opportunity to succeed through Rheedlen’s afterschool program. He wanted to help hundreds and thousands of kids because he didn’t see the point of choosing some kids to save while the rest were failing. Unsatisfied with the scope of Rheedlen, Canada transformed the system and came up with Harlem Children’s Zone. “It wasn’t enough to help out just one part of a child’s life: the project would need to combine educational, social, and medical services” (The Lottery, 4). Following his theory that a child does better if children around him or her were also doing better, Canada and his team went door to door to recruit participants in housing projects. They organized fun events to break resistance in these neighborhoods. This wasn’t working the way Canada wanted so he figured out a way for Harlem Children’s Zone to get more involved which was through charter schools. This Promise Academy Charter School was free of tuition and open by lottery to students. “ We are calling our school Promise Academy because we are making a promise to all of our parents,” he said. “If your child is in our school, we will guarantee that child succeeds. There will be no excuses” (The Lottery, 14). This school was going to require student’s longer hours than a regular school, after school programs that would run late and the school year would continue until July. This charter school was a risk for these parents and kids because they had been promised improved education for their kids before and their options were always limited or fell through. The dilemma these parents faced was which promise to believe.
“The people who run prisons in this country are looking at our third-graders. They look at their test scores each year to begin to predict how many prisons cells will be needed twenty years from now” (The Lottery, 15). “You! Will! Not! Have! Our! Children!” (The Lottery, 15). Alfonso Wyatt was cleverly able to win the hearts and attention of these parents that were skeptical because in their world things do not always turn out like its promised or intended. His speech at the opening lottery celebration of Promise Academy had the right combination of statistics and encouragement to motivate these parents to take responsibility for their kid’s education. However, the opening night of this brilliant charter school lottery pick had its bad moments because there were parents that were desperate to get their kids into a decent school and they weren’t able to, which was sad.
We lose more kids to street violence and drugs then we are able to educate and save. Poverty was also the biggest dilemma that Canada was facing. Poverty is a dividing line between success and failure in this country. Its almost as if we are in favor of keeping the poor poor while we allow the rich to thrive. I understand that poor people need to take responsibility to change their circumstances. However, as this colloquium course demonstrates through the reoccurring themes that are presented in our reading, I believe that the problem of poverty is bigger than the individual. They are our collective problems that need our collective responsibility and cooperation to find a solution. Canada faced many obstacles in his path to create the ideal educational, social, and safe learning alternative to inner city kids. He was eventually able to transform his original organization and make Harlem Children’s Zone a center that would actively follow the academic careers of youths in a 24-block area of Harlem and with the success of the new model, this area has expanded to 97 blocks. Maybe Canada is not evening out the poverty dividing line, but we can definitely say that he is giving those kids a chance.